[messing around with sonic walls with alex on layers of drums (and mic textures), vocals (over a half a dozen tracks working in tandem through most of the song) and guitars (six tracks before adam's orchestra). when it was time for the guitar solo: my inclination would have been straight-melodic with layers or rhythmically abstract, but Adam can play pretty (and with an effortlessly thoughtful melodic sense) so eight tracks (of free-play) later I had plenty to weave together.]
lyrics
crawlin' on all 4's; i can't take it anymore
and how it seems we're out of the pan and into the fire
the world that you adore is just a part of something much much more
(and) you know that i can take you ever higher
they'll never be good to you, bad to me
they'll never be; it's on and on
1 turns into 4 and then we're onto something more before they
infiltrate the mind with sound and with colors
dissonance is evidence: directional indifference
as we'd all fall into what we are
they'll never be good to you, bad to me
they'll never be good to you, bad to me
they'll never be good to you, bad to me
they'll never be it's on and on
they'll never be good to you, bad to me
they'll never be good to you, bad to me
they'll never be good to you, bad to me
they'll never be it's on and on
Post-punk in the Sonic Youth mold—melody covered by creeping fuzz, anchored by architectural rhythms, with lyrics both abstract and direct. Bandcamp New & Notable Nov 5, 2019
The NYC-by-way-of-Melbourne group returns after eight years with a record of quirky but clean jangle pop with laconic vocals. Bandcamp New & Notable Oct 6, 2022